STEPHEN ERIC BERRY

Euphonia

Before any girl woman food reefer  

Before any nutmeg

Benzedrine junk there was only

One queen

One baby

My confidant

My silver-plated celestial city

My first love of 1933

My Euphonia

My horn



*



She was my Times Square vortex

Of boundless plasticity

My Silver Barium Palace of Versailles

My Empress

Who only wanted to rest

Her naked bottom

On a little pillow set

In the crook of my left thigh

She who

Sent her Thuringian pedal tones

Down and down

My belly pelvis legs soles of my feet

In vibration

Down through the oil-soaked dirt

Under the house

She who only wanted my arms

Around her miraculous tubes

My fingers

In the natural position of fingers

On the caps of her whisper-smooth

Pearl valves

Her breasts everywhere

An eloquence of curves

Dancing around her Vesuvian rocket

Nozzle bell

Always pointed into steep caramel pink

Causeways of sky

All the places I wanted to fly



*



I find her in a silver-buckled case

Becoddled

In powder-puff indigo velvet

Protected from dents

Scratches unkindness disrespect

And the majestic

regal cyclops eye

Of her lowest tones unmoored

Unashamed

All she wanted

Was for me to empty myself

Inside her

To open all those causeways

To Birdland's winding boulevards





Behind the Cherry Blossom

Dream voice to 12-year-old at 1516 Olive Street 
Kansas City, Missouri, October 31, 1932: 

We give you fine-haired ears within ears 
A twisting cave system of ears lined up in rows  

A pale species of corn growing around a crater 
On the dark side of the moon a Fibonacci whorl  

Of swinging Einsteinian locomotive clubs 
Radiating in all directions from 18th and Vine  

The Reno The Subway The Cherry Blossom  
Fox Tavern El Capitan The Hey-Hay Zelmaroda  

Paseo Tavern Lucille's Paradise (to name a few) 
Destinations along the Birdlandian Riviera  

                                            *  

We give you pulpits pulverized into a mixture 
Of Benzedrine and sawdust rockettes tossing  

Piney brown moss invitations to the sighted 
We give you 12 Clouds of Joy The Blue Devils  

Give you Ernie Williams George Hudson Lester Young 
Give you Jessie Stone and the Blue Serenaders  

George E. Lee and His Singing Novelty Orchestra 
Bennie Moten and his Kansas City Orchestra  

Give you the wailing trumpet salvations of Hot Lips Page 
And hysterical conversations between hoodoo  

Splendid ghost clarinets and wah-wah trumpets 
All thumping hydra-necked braids of blues  

They ride the northeast wind up and down 
Chatterleaf streets searching you out by smell  

                                           *  

We give you trash cans in a cat-bashed row 
In the funk alley behind The Cherry Blossom  

You are about to crawl over the gray battered lids 
Up on tiptoes improvised from more tiptoes  

You are about to fingersmear open a window 
Within a window and press your nose to the hole  

And see Mary Lou Williams in a marshflower cave 
of blue vodka spinners her long cana lily arms  

In the piano's midnight backstop world 
Shiny carob swan of midnight in g-minor  

Among sweaty firebox arms and devilments 
And tea-headed devisements the freefall exhalation  

Of a kiss and Lester Young with horn in hand 
Is about to raise moon-shorn rafters everywhere  

You taste the living breath through her fingers 
His debonair aorta of horn geysering sparks  

                                            *  

Begin           

STEPHEN ERIC BERRY is a recipient of a Jule and Avery Hopwood Award at the University of Michigan. His poems and translations have appeared in: Michigan Quarterly Review, Tampa Review, Columbia Journal, Asymptote, The Mailer Review, Interim, and the Brazilian publications Belas Infíeis and Voz da Literatura. In 2017, he received a grant from the National Endowment for the Humanities to be a visiting scholar at Amherst College. In 2020, he was a presenter at the MLA 2020 Roundtable sponsored by the Emily Dickinson International Society “Is Translation a Loaded Gun?” He lives in Chelsea, Michigan.