DAVID STARKEY

They Live in Brooklyn

Successful writers always live in Brooklyn,  

in Park Slope, Bushwick, and in Williamsburg,

neighborhoods we can only dream of—



and we do. We’ve never been to Brooklyn,

though we’ve watched Brooklyn Nine-Nine,

and, years ago, that movie with the Fonz.



Still, it’s a place our imaginations

can barely fathom. Wet pavement reflecting

streetlights, we suppose, and restaurants



with names we can’t pronounce and constant

movement—subways, busses, taxis—

or Ubers. Here in Mountain Grove, we have



two Uber drivers: Chadburn, the Caseys’ boy,

and Mr. Singh. Here in Broken Arrow

at the Walmart Supercenter, we shop



for peaches and for Chips Ahoy! but in Brooklyn,

food is hand-delivered on an e-bike by someone

with a crooked smile. Here in Coffeeville,



behind the U-Haul rentals, we have a pine

as tall as an apartment building, and here

in Chugwater the winter snow is bright



as the lights strung across the Brooklyn Bridge.

But their coffee tastes better, we’re certain of it.

Their sushi doesn’t taste like trout bait from a jar.



Their first book is coming out with Knopf.

Our first book is coming out from Kinkos.

They are young, and we are old, sitting here



in a booth at the Gackle Tastee-Freez—

farmers talking weather, talking tractors

and the evils of CRT, while we pen our verse



in spiral notebooks. We write about the seasons,

while they are mapping out the bitter end

of civilization on their laptops,



moving through their city at the speed

of thought. O, were we in Brooklyn, what

might we have written, what might we not be!

Two Hurricanes


My father tells everyone at assisted living

that he drove through two hurricanes to wed

my mother. It’s a story that draws laughter

and applause each time he repeats it, and I’m surprised

the number of hurricanes hasn’t grown

to three or four or five.

But later, when we’re alone,

he tells another version, one that rings truer:

The two hurricanes interrupted a round robin

tournament he was pitching in. No one wanted

to call the competition off, so they played it out—

squalls and fly balls, runners trudging from their bases

as rain slashed in at an angle and wind

wheezed and huffed and whistled

across the muddy diamond.

Dad, I say, stupidly

bent on the truth, it seems like you’re conflating

two events for your own benefit. It sounds like what really happened

was you kept playing baseball rather than driving to meet your bride-

to-be
.

He looks at me, his eyes a little sad, a little angry.

He’s ninety-one years old.

He doesn’t have to say anything if he doesn’t want to,

so he doesn’t.

My mother emerges from the bathroom,

moving slowly with her walker, out of breath.

DAVID STARKEY served as Santa Barbara’s 2009-2011 Poet Laureate. The Founding Director of the Creative Writing Program at Santa Barbara City College, he is currently Co-editor of Anacapa Review and The California Review of Books, and the Publisher and Co-editor of Gunpowder Press. Over the past thirty-five years, he has published eleven full-length collections of poetry with small presses—most recently Dance, You Monster, to My Soft Song, winner of the 2021 FutureCycle Press Poetry Book Award, Cutting It Loose, and What Just Happened: 210 Haiku Against the Trump Presidency. More than 500 of his poems have appeared in literary journals such as American Scholar, Georgia Review, Prairie Schooner and Southern Review. His textbook, Creative Writing: Four Genres in Brief (Bedford/St. Martin’s, 2022), is in its fourth edition. (davidstarkey.net